Englishour's Blog 
Do you do 'do'?
‘Do’ is a great little word in English! In English, “I do” means “I’ll marry you for the rest of my life”. It’s a romantic verb but it’s also a verb of action! We do activities. We do business. We do work.
Anything related to the idea of work can be described by do. For example, work around the house is called ‘chores’. We do chores. We do the ironing, we do the washing-up, we do the cooking, the cleaning and the washing. When we are busy, there is so much to do! I have to do the shopping and then later I have to do my homework.
Scientists do experiments, students do a course, a diploma or a degree. You can do your best. Or do your worst. You can do harm to something or you can do someone a good turn.
Apart from having so many collocations in English, do is also of course an auxiliary verb. Do you...? Yes, I do, no I don’t. Yesterday I did or I didn’t. When you do an action you perform that action. What are you doing tonight? What did you do yesterday?
Do your duty and study do. Do yourself a favour and do some research on do. To do or not to do? That’s the new question! They say that actions speak louder than words. So what you do defines what you are.
John Ryan, 2011
Finding a job in Dublin
Many students come to Dublin for two reasons, to learn English and to find a job. In Englishour we can help you to achieve both.
How you prepare for looking for a job is the key to your success. Writing an excellent Curriculum Vitae accompanied by a cover letter which really speaks to your future employer is a skill which we can help you develop. Your CV has to say that not only can you actually do the job which you are looking for but also that you really want this job and if given it, you will develop within the company. Presenting yourself well on paper before the interview will separate you from the hundreds of other applicants looking for the same position and thereby increase your chances of gaining that all-important interview.
After helping you to create a personalised CV and cover letter, in Englishour we can help you to ace the interview as well! The language we use to present ourselves and explain our skills, mirror who we are and how we see ourselves as a functioning person within a working environment. Through role-play we will help you to use your CV as a tool to help you to get that job. We can give you the language you need to fluently express yourself and sell your skills to your future employer.
In Englishour we recognise that you are not only a learner of English. You have goals and ambitions and our role is to help you realise them in so far as we can.
Ken
Breathless, bodies heaving and hearts exploding, Ken and Sandy hold their final position as the crowd rises as one and goes completely wild. As Ken stops, he can feel the tension in his body swell causing a plethora of muscles to spasm as he holds the final pose with Sandy supported under his left arm, while his right remains high in the air in a perfectly poised salute to grace and balance. Sandy, just inches below him, has finished in a splits pose and her delicate hands and fingers also reach up towards the top of the stadium. The noise is truly deafening. The crowd are still on their feet applauding and screaming, realising that they have just witnessed something very special. It was a performance that had been real and concrete but has now somehow disappeared into the ether leaving behind only snapshots and memories, which will surely live on in the collective consciousness of all who had seen.
The roar now subsiding, Ken and Sandy break their pose and then, in one perfectly synchronised movement, they both stand up together on their ice-skates and skate in unison towards the now open corral door where they can both see the wooden bench waiting for them, where for the next couple of minutes they will sit together in the glare of the media spotlight and be judged. Arriving at the rubber mat just off the rink, they effortlessly, and still in unison change their movement from that of skating, to walking the few steps from the rink to the bench. Arriving, they both do a syncopated turn and together they sit, both appearing to be absolutely weightless, practically floating onto the bench below. A tiny smile from Sandy is all that indicates that the whole set really had been as close to perfection as either had ever achieved.
Sitting side-by-side with Sandy and still focused on his breathing, Ken notices a perceptible giddiness now coming from his partner. For most of her life she had been skating her way up and up towards glory, and through four different partners she had made the arduous journey from fresh talented amateur to confident creative professional. She was living her dream. Ken, on the other hand, definitely wasn’t.
Even during their flawless routine, Ken had glanced up and had seen the stage lights above in all their different colours but rather than flashes of red and yellow and green he had seen cherries and bananas and limes and kumquats and melons and figs and velvet tamarinds dancing and circling above him in the darkness like little fluttering beacons of colour, whilst below in the white darkness of the ice he had performed butterfly jumps and death spirals and toe loops, his body perfectly synchronized with Sandys as the pair physically embodied the music for the audience. Ken was potentially the most talented male pair-skater in the world, but listening to his beating heart hidden under his flowing silk shirt he knew that he only wanted one thing in life. He desperately wanted to run a fruit shop.
Years before, he had been introduced to the ice at an early age and had immediately shown promise. Through a unique and natural balance which he possessed, he was able to perform an arabesque within hours of his first outing in the rink, and though in his then childish mind he was probably only showing off, attention was caught in certain quarters and it was swiftly arranged that this talent should be nurtured and allowed to grow. For Ken this meant hours of only seeing his cold breath clouding the empty seats at the rink while his trainer stood by and screamed poise into his aching limbs.
Early mornings rising before the sun and late evenings wrapped in woollen leggings, and enduring blisters on his feet, he was forced to cut his competitive teeth and learn his craft. But though he had never told a living soul, his real passion lay in the seeded produce of plants, cared for through the expertise of the fruit merchant, until it was brought to the family table where all could enjoy the succulent healthiness of it’s bountiful flesh.
Even during the long hours of rehearsals with Sandy, Ken would sometimes pretend to lace his boots and in this stolen moment he would picture himself in a flawless cotton apron gently picking up a soft velvety peach and placing it with exactness in a display outside his shop, which vibrated in an explosion of smell and colour and texture. The pointed pineapple placed beside the smooth hard avocado. Piles of little gooseberries, offering the contrast of bitterness to the sweetness of the apricot beside them. His fruitshop would be a work of art, and in his fantasies, he would serve little paper bags of fruit-laden art to customers who would always leave smiling knowing they had just purchased the best of the best.
When he and Sandy won their first grand prix competition Ken had allowed himself the financial luxury of commissioning an artist to paint each of his favourite fruits in oils on canvas, and every three months or so, a new work would arrive and Ken would take charge of it, releasing it from it’s papery protection and finding a place for it to adorn his wall. They now dotted his apartment like coloured beads, with Blackberry, Lemon and Quince, being his three favourite. But the paintings only served to entice him more towards the real thing. Though visually stimulating they could never compete with the real deal, and Ken was feeling this more and more every day.
He pined so terribly to be surrounded by fruit. So much so that he cried every night on his designer satsuma sheet and fantasised about ‘Ken’s fruit shop’ which he would care for like it was his only child. He fantasised about having a storeroom of pears, which would only come out onto the shop floor at the moment of perfect ripeness. As he lunged and leaned and performed spirals and axels on the unforgiving ice, he would dream about stock systems and refrigeration and colour schemes. Ken felt like he was wasting his talents. In fact he knew he was. As sure as the tomato would never be a vegetable! But the world of ice just wouldn’t let him go.
As he sits on the bench, still breathless from the routine, he knows that a win tonight will complete the six continents title and the next stage will be onto the European championships and then of course the winter Olympics, which gives him no hope at all. He knows that running a fruit shop is a young man’s game and to him, each meaningless metal medal placed around his shoulders marks yet another day lost. He is truly trapped in this skating rut with no way out. His dream is in front of him, so tantalising in full technicolour, but reach out as he might, the fruit shop suddenly disappears and yet again, he is left alone in his perfectly balanced and aligned, but soulless and cold, colourless world.
Sandy is practically shaking beside him. There are three judges and Ken knows that anything higher than a five point eight seven average will surely destroy his dream. The crowd are now silent. A collective intake of breath meets the moment of no return.
Boom! The score panel flashes into life. Five point nine five. Five point nine five. A perfect six. The world stands still for a second. And then it comes, a tremendous roar. Everybody on their feet thrilled and applauding and deliriously happy. The flashes of ten thousand cameras illuminating the pair, two tiny figure skaters far below the stands sitting on their little wooden bench.
Sandy bursting into tears beside him and clutching her flowers in one hand and his limp hand in the other. And Ken crying too, head bowed slightly, staring at the fruitbowl on the table in front of him.
By John Ryan©2011
The spelling B
O’B was in great form altogether. And sure why wouldn’t he be on such a lovely late spring day, retirement just around the corner and about to execute the sheer brilliant plan which he had put so much time and thought into? In fact, he was in such great form that he even quickened his step a little, no mean feat for a man of almost seventy years and a very short stride indeed.
O’B stood for O’Byrne, but all the pupils called him O’B. He was a short fellow, only about the same height as the boys in the sixth class, but what he lacked in height he made up for in sheer terror. The man was a ball of pure energy. In his classes he would move around the blackboard in a whirlwind of knowledge, chastisement, laughter and sincerity, all machine-gunned from his mouth in a high-pitched scream. The boys loved him because something in their young minds told them that he was a brilliant teacher, and in spite of the physical pain he inflicted on them they knew that in their long futures they would never meet another man like O’B again. They also of course, thought he was funny to look at. He was old. Very old. And he was bald. Very bald. And he was tiny. Some of them thought he looked like Mr Magoo from the cartoons, but without the glasses. But no one called him Mr Magoo. He was always simply called O’B.
Arriving at the school O’B was quietly humming the tune in his head. He had gone over all of the variables for the last time over breakfast, although it was hardly necessary, as this had been cooking for months now, since Christmas in fact, when the idea had first come to him one night while overindulging in a bit of port. When it came to him he had scribbled it on a piece of paper and then forgotten about it. But pieces of paper with words scribbled on them have a habit of resurfacing and when this one did just that, O’B reread it and thought a little and read it again and then marvelled at what a good idea it actually was.
Returning to the school after the Christmas holidays, the idea foremost on his mind, he hit O’Malley twice on the backside during maths class with a ruler in quick succession and heard the two identical squeaks of pain. He was right! The idea could work. He then set about bringing it all into fruition.
The boys loved O’B, but they also feared him and his wooden ruler. If a boy answered a question wrongly, O’B would have the boy stand up at the side of the room, and as the class went on, and more boys failed to answer correctly, the line at the side would grow and grow until by the end of the class there could be between ten to fifteen boys there, the swats being the only ones still sitting. Then came the punishment. O’B would order all the standing boys to bend over forwards touching their toes so their bottoms were facing out and in quick succession he would make his way as quickly as possible down the line striking each boy hard on the backside with the ruler facing downwards in order to inflict maximum pain. The result for the victim was a very sharp sting, which raced from the nerve-endings in the buttock straight up the spine and into the mouth. It was strange. After the beating the boys would all sit down gingerly into their seats and collectively they would start rubbing their jaws. Every part of the body is all connected, O’B guessed.
His moment of genius with the port bottle, came that night when he realised that the note the boys produced with each strike of the ruler was consistent each time, providing he used the same amount of force with each strike. As a primary mathematics teacher he was even able to come up with a formula testifying to the fact:
∑=∍Ψ(Δ-ρ)
This was scientifically confirmed on the first day of the new term after Christmas with O’Malley. When he struck him twice in quick succession, he noticed that O’Malley produced a distinct D note each time. Jones was next. He was an A. Stevens an F minor and so on. Over the weeks, through trial and error he carefully annotated the class list with the notes each boy produced, and he was surprised at some of his findings. One boy, Duffy, actually produced a chord rather than a single note, which O’B put down to his voice breaking, and one of the swats, Smyth O’Brien was a consistent high C. O’B took note of all of this golden information and determined to put as many of the boys as possible into good use.
Once he had categorised each boy, the next thing he had to do was to find the music he would perform for himself on the day of his retirement. He was a classical music buff, so it couldn’t be anything contemporary, but as to which piece to use, he wasn’t sure. He went through all his vinyls and when he heard it he immediately knew that that had to be the one. The first movement of Beethoven’s great fifth symphony, the allegro part of the first movement. Bum Bum Bum Bum! In this moment of clarity, O’B had smiled to himself and thought how very appropriate!
The piece chosen, the rest was now down to careful planning with the utmost attention paid to the detail. On one day, which the boys later called ‘Black Monday’, O’B made sure all the boys were punished several times during one double-geography period so he could ascertain the range and pitch of each boy. One boy, McDonald, a dimwit in O’B’s mind had the fascinating ability to produce a very distinct F sharp or C minor depending on which buttock he was hit. It was really because of McDonald that O’B settled on C minor as the key in which he would do his performance. He counted each note in his darkened apartment and then worked out which boy would be struck in which order.
Bum Bum Bum Bum! O’B decided that he would play the first four bars in the class. He had read somewhere that Beethoven had written these bars to represent the impeding deafness that was descending upon him. Like the rumbling of an approaching storm. O’B thought that this would be a fitting tribute to himself as a symbol of his impending retirement. And he would go out on a high note. O’Halloran.
The boys were sitting and waiting for him when he arrived. His last day as a teacher. He had decided that a spelling bee would be the most effective way get the boys standing, and in the order which they were required. He knew each boy and his spelling limitations, so walking to the top of the class he ordered the boys to close all their books and declared the spelling bee open. He looked at McDermott first. McDermott was thick.
‘McDermott, spell submarine’.
‘S-O-‘
Mission accomplished. McDermott was up. He had huskiness in his voice when hit, which O’B felt would be a perfect start to the movement. He needed O’Farley next. O’Farley was a swat. And an excellent speller.
‘O’Farley! Spell loquacious’.
Excellent. So far so good. Another in the line.
‘Jones. Spell singularisation’.
And another one bites the dust. This went on until all the boys in the class were standing in the order O’B wanted them. Only Hennessy and O’Looney were still sitting. Hennessy croaked when hit and O’Looney made no sound whatsoever. They were superfluous to his plans. O’B looked down the line.
‘All of you! Turn around and bend over!’
The line turned in unison and backs disappeared revealing grey pants covering bottoms looking like stretched flannel drum skins ready to be played.
O’B lifted his ruler.
He looked at McDermott’s bottom and then O’Farley’s all the way down the back of the line where O’Halloran’s high note would signal the end of his masterwork. Gripping the ruler tightly, like his magic baton, he quickly struck McDermott, O’Farley, Jones and then O’Byrne.
OW! OW! OW! OW! His symphony had begun. As O’B ran with full focus down the line striking and reproducing the perfect notes as written by Beethoven himself, something at the back of his mind told him that this would be the happiest fifteen seconds of his life. Four bars of bliss. And it was.
©John Ryan 2011
Learning objectives in Englishour
General and Specific Learning Objectives in Englishour
In considering objectives for our Englishour courses, we keep in mind that English today is spoken by a vast array of people, both native speakers and speakers of English as a second language, and while the variation is not huge, we need to bear in mind the reasons why the learners are on this program. For some, the language they want is purely social, while for others it may be to advance their careers. Therefore, when looking at our learners as a group, our objectives need to be quite broad, as opposed to a group learning English for special purposes for example. What I shall do here is look at our objectives through the five skills as laid down by The ©Council of Europe. Below is a look at how we in Englishour view teaching language skills to our learners:
Listening
It has been estimated that in our normal lives, we spend 40-50% of the time listening. Listening is the process of understanding spoken language, and learners often feel that this is their weakest area, as there is no time for reflection as there is in, for example, writing. Listening requires both a knowledge of the language and of the social context as well as being able to read body language, expressions and intonation in order to understand what is being implied as well as what is being said. In listening there are so many unknown factors such as accent and clarity, and these need to be tackled in the program.
Englishour’s learning objectives for this skill is for the learners to develop their skills so that they can understand language presented orally in more difficult settings. This can be achieved by introducing more speakers at the same time, perhaps speaking quickly, speaking about concepts which are abstract or implying rather than directly communicating messages.
Reading
Definitely an under-estimated skill, reading improves vocabulary, shows examples of language in context, and encourages an appreciation for literature. It accounts for between 11% and 16% of our skill use in everyday life, whether it be the newspaper, internet, or simply the TV guide. The question is should reading be intensive? i.e. learners should be tested on what they have read, or should it be extensive, where learners are reading for pleasure. In Englishour, we feel that it should be a mixture of the two.
Here, our learning objectives are firstly to rid the learners of their reliance on dictionaries, and to get them to read more for gist. Scanning text is a very useful skill which we employ daily, and this should be reflected in the classroom. Learners also need to differenciate between different styles of writing, thereby improving their predictive skills.
Spoken Interaction
A hugely important skill, it involves formulating ideas, producing and articulating them and receiving information from the other party. In most learner groups, this skill can vary a lot from one learner to another, and therefore a more individual approach should be taken. This skill is used in both social and professional settings, and again the learner should be able to differenciate between the formal and informal sides of this skill.
In our experience, learners come quite well-equiped to deal with the formal aspect of spoken interaction, but seriously lack a knowledge of idiom, or an ability to use phrasal verbs and expressions which mirror how we ‘really’ talk. Therefore our objective here is to promote fluency through a more informal use of language.
Spoken Production
The ©Council of Europe’s definition of spoken production at a C1 level is ‘I can present clear detailed descriptions of complex subjects integrating sub-themes, developing particular points and rounding off with an appropiate conclusion’
This is a skill which many learners have developed to an extent, but often lack the confidence to produce the language. The report phase of the task is essential to improve this skill, as it gives the learners to regularly produce language for an attentive audience. Our objective here is quite simple: To instill confidence and to provide the language tools to present well.
Writing
Frequently neglected, we believe that writing should play an integral role in the course. Where speech is often informal and interactive, writing is formal and detached. It is a reflective process, and this in itself is very valuable for the learner. As a means, writing can be used to get learners to focus on a particular language point, and as an end to produce a body of work which will be read. We can write for content or for form, and whatever is produced will be permanent. This permanence provides a record for the learner, and through this skill, other areas can be developed.
Englishour’s objectives in relation to this skill are to give the learners ample opportunities to write towards a well-structured text, where they can reflect on form, and also to develop the skill of ‘headlining’ the key points from something they have read or heard, an invaluable skill, whether they are receiving instructions, or breaking down an idea for further understanding.
In Englishour we are committed to improving the language skills of learners of English as a second language.